Crusts- The layers of fashion

-

‘Crusts’ allows the self similar embroidery patterns, patch work, tie and dye, hand paintings and batik patterns grow organically, following an instinctive rhythm, spreading over the surface of these garments, organically, in the process of creation.

As a self expression, ‘Crusts’ is a journey that goes through various experiences- all indigenous ones, from the festivals to the temples to the home to the streets to the market to the city to the village. Frescoes on the walls of the temple and home and on the street inspire ‘Crusts’ only to be materialized on malmal, a variety of muslin. Processes such as tie and dye, hand painting and batik signify the layers of time, stories, memories and nostalgia that each day (month, year, years, decades, centuries, era) brings with it.

Surface Ornamentation- embroidery, hand painting and patch work, is not merely an ornamentation, it is an expression of the beauty and timelessness of the repository of man’s material culture and a tribute to the aesthetic standards or as an evidence of past civilizations.

Finally, ‘Crusts’ is an ode to the identity- the pehchan for the handmade, that has helped determine the ebb and flow of human destiny.

Comments

Post a Comment

Popular posts from this blog

ननिहाल या मामा घर

-
हां, में उन खुश नसीबों में से हु, जिन्होंने ननिहाल का लाड दुलार, सुख और ऐश्वर्य का भोग किया है। मेरे तीन मामा है, अब तो बॉम्बे वाले ही है। सबसे बड़े मामाजी की कोई ज़्यादा याद नहीं है। लेकिन उनका दुलार भरा चेहरा हमेशा ही आँखों के सामने आ जाता है, जब भी उनकी बात निकलती है। अजमेर वाले मामाजी का तो मेरे जीवन की सबसे मीठी यादों मे योगदान रहा है। पर आज मै बॉम्बे वाले मामाजी के बखान करुँगी। माँ कहती है मामाजी मे उसको नानाजी का रूप और गुण खूब दिखता है। नानाजी का तो सिर्फ धुंधला चेहरा ही याद है, लेकिन मामाजी को देखकर लगता है कि नानाजी बहुत ही गुणों के धनी ही होंगे। वे तो सरपंच थे और आस पास के सारे गाँवों मे उनके डंका बजता था। नानाजी पर भी कुछ लिखूंगी, मेरी माँ और भाई बहनो से पूछ कर उनका भी चित्रण करुँगी। मामाजी हमेशा ही भविष्य की ओर देखते है। उनके लिए अतीत का क्या महत्व है, उसका मुझे कोई इल्म नहीं है। जब हम परिवार जन मिलते है, तो हर किसी के पास गांव मे बिताया हुआ कोई न कोई किस्सा, कोई न कोई क्षण तो मिल ही जाता। मामाजी के अतीत की कोई कहानी उनकी ज़ुबानी आज तक नहीं सुनी। कभी सोचती हु की काश मे भ...
Read more

Bombay Novels: Some Insights in Spatial Criticism A review by N Chandra published in Muse India

-
  Evolution of a city across different periods Bombay Novels: Some Insights in Spatial Criticism  by Mamta Mantri attempts to recreate the spaces of the metropolitan Mumbai city through literary representations which include both past and present. It also explores the motif of how Mumbai is a confluence of ‘imaginary geography’ and ‘literary images’. Select literary texts are used by the author to cull out and comprehend the influence of social, economic, and material factors in refashioning spatial history: “The metropolis of today is the chameleon, changing shape and size. Margins evolve into the center; centers turn into frontiers and regions become cities.” (60) By employing an interdisciplinary approach, the author has attempted to trace the history of Mumbai chronologically from the 11 th  century AD. Significant events inclusive of the impacts of 1905 Bengal partition and the riots during 1920-22 Non-Cooperation movement are recorded. Mamta Mantri ably chronicles t...
Read more

In the drapes and yards_My saree collection

-
Image
  My sarees are an expression of my feminism, where I don't have to wear certain kind of clothing to prove myself. I think I can express myself better in the long drapes of the saree. The rich textile traditions of the country inspire me. I have a varied collection, which include Jamdani, Paithani, Geecha Silk, Doria, Cottons, Block Prints, et al. Geecha Silk Handwoven Bhagalpur Silk Saree  cotton black weaves with golden border paired with an ikat blouse Block printed Bagh, Madhya Pradesh the subtle brown color of the block prints are a perfect contrast to the pink base Block Print cotton Saree Purple cotton saree with ikat and other color stripes Cotton Saree in my marwari colors of yellow and red The classic Ikat Cotton Teliya Jamdani Bengal, reds and oranges contrast with the grey backgorund Kota Doria in brown  Machine made ilkal saree  Handwoven Ilkal purple and orange crating a Raja Ravi Verma Pa...
Read more